Exceptional places require exceptional presentation, especially in the case of luxury brands. The appearance of a storefront is a crucial element, often determining whether a potential customer will take notice and step inside. It provides an opportunity to win an Oscar in the category of “special effects” or be like end credits – colourless and monotonous.
The unique character of boutique spaces can be achieved through sign painting – the artisanal craft of hand-painting signs. Though forgotten by many, it is experiencing a revival.
A personalised storefront enhances prestige, adds soul, and imbues the space with elegance and exclusivity. These impressions cannot be replicated using commercial stickers or traditional templates. They are particularly appreciated by owners of renowned boutiques and service establishments, for whom timeless quality matters most.


Functional art and artistic painting are my passion, which I have been developing for over two decades. My adventure with sign painting began with the inspiration of the signs I admired while staying in Bristol, where I lived for a few years. I was drawn to the way the lettering integrates with the surrounding architecture. Upon returning to Poland, I realised that what I had seen then was a separate field of art that I wanted to develop further.
At first, my knowledge was based solely on information found on the internet, but I knew it wasn’t enough. I attended my first training sessions in London, which took place as part of the London Design Festival. There, under the guidance of renowned and esteemed sign painters from the UK – Ash and Sara Bishop from Brilliant Signs, as well as from the USA – Mike Meyer from Better Letters, I expanded my workshop.
For several years, my mission has been to improve public spaces so that building facades, storefronts, and signs stand out with the appropriate form and impeccable aesthetics.
The service is performed using gold, silver, or copper. I also use enamel from the American brand 1 Shot. The karat amount of gold depends on the effects, which are determined based on the individual preferences of the client. 24k gold will have more yellow tones, while 12k gold is white but more noble.
The basic technique of gilding glass is gilding to a gloss, giving a mirror effect. By using a special, transparent glue that somewhat “wrinkles” the gold leaf, we achieve a matte effect. These techniques, which relate to gilding glass, are called reversible. Additionally, we also distinguish gilding on opaque, aversive surfaces such as wood, metal, or concrete. In this case, by using appropriate mordant primers, it is possible to achieve a more or less glossy gold effect.
In addition to visual values, the quality aspect is also important. Inscriptions made with this method are more durable and withstand atmospheric conditions. In case of the need for intervention, they are easy to remove and at the same time, do not leave marks on the surface.
